-  “Postmodern Art in Muriel Spark’s Novels.”English and American Literary Studies. Fall (2011): 396-402. 
-  “Metafictional Strategies in Muriel Spark’s Novels.”Contemporary Foreign Literature 2 (2011): 42-50. 
-  “Seamus Heaney’s Identity Predicament and His Corresponding Strategy.”Translations 4 (2012): 5-14. 
- The Art of Nouveau Roman in The Driver’s Seat.”Journal of Zhejiang International Studies University 2 (2012): 41-46. 
-  “A Survey of the Study on Muriel Spark in Foreign Countries.” Contemporary Foreign Languages Studies 4 (2012): 67-72. 
-  “A Tentative Probe into Muriel Spark’s Narrative Theory.” Foreign Language Education 4(2013): 90-93. 
-  “The Colorful Portraits of Women Characters in Muriel Spark’s Fiction.”  English and American Literary Studies (Fall) 2013: 81-90. 
-  “The Intertextual Strategy in Muriel Spark’s The Comforters.”Foreign Literature Studies. 5(2015): 105-112. 
-  “A Comparison of War and Peace and a Farewell to Arms.”Scholars Journal of Arts, Humanities and Social Sciences 3.9 (2015): 1423-1428. 
-  “Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities. Modernism/Modernity 22.4 (2015): 846-848. 
-  “The Art of the Nouveau Roman in The Driver’s Seat.” International Journal of Social Science Studies. 4.1 (2016): 83-92. 
-  “Muriel Spark’s Introspection: on the Multiple Themes of The Finishing School.” Foreign Studies. 3(2016):55-60. 
-  “On Muriel Spark’s Life Writing.”Foreign Literature 4(2016):51-59. 
-  “Narrative Strategy in The Prime of Miss Jean Brodie.”English and American Literary Studies (Spring) 2016: 113-124. 
-  “A Review of The Series of the Academic History of Foreign Literature Studies.”Foreign Literature Studies 3(2016):161-164. 
-  “The Metafictional Strategy in Muriel Spark’s The Finishing School.”Foreign Literatures 1(2017):125-132.